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Journeys Through Zaria, Kano, and the Nigerian Countryside This collection brings together charcoal drawings, mixed media works, and...

Enough | Charcoal, Torn Paper, Cloth, Necklace In today’s world, where speaking truth is increasingly under threat, Speak Easy Speak Free...

Lightning In My Hands | Procreate/Photoshop digital painting The Digital Lightning Series presents a world where children, born into the...

Safornia Fron Nina Simone "Four Women" Enduring Spirit is a collection of African American art first exhibited at the columbia Museum...

Brave New World is built on an imagined future, yet it is one already seeded in our present. Rising seas, unbreathable air, fires left to...

At first encounter , these drawings appear anchored in stillness—portraits, village scenes, figures suspended in charcoal. Yet as the eye lingers, the surface begins to tremble. Lines overlap and fracture, slipping into and out of focus. Shapes form, dissolve, and reform, shaded through the full spectrum of charcoal grays. Where edges intersect, they become porous—transparent for a breath, then suddenly insistent again. The drawing does not sit on the page; it vibrates, anim

Title: The Swim to Freedom: A Gambian Tale The Gambia’s shores, where the river meets the sea, were once a pivotal waypoint in the...

Ibrahim survey his new playground Three years ago, my daughter, her Gambian husband and I embarked on an ambitious project to construct a...

Updated: Feb 24 This drawing was last seen at the Neema Art Gallery in Charleston, SC under the care of Meisha Johnson. The Gallery...

I grew up in Anniston, AL during the infamous reign of Governor George Wallace. My family’s history was and still is based in...