Let Me Explain Myself

As an artist, my driving force has always been the need to communicate effectively. Transitioning into a professional artist involved uncovering the most efficient method to convey my message to all who dare to engage with the challenges and issues that inspire my creations. Drawing the figure is my passion, as it allows me to connect with others on a profound level, tapping into our shared humanity. Echoing the words of Publius Terentius, "I am human, nothing human is alien to me."

Originating from George Wallace Alabama, not the most conducive birthplace for an artistic journey, my early influences were limited to my sister's simple instruction to draw a magazine image. Hungry for creativity, I eagerly followed the directive. Later, a family friend who studied Art Education at Miles College became a significant influence, igniting my desire to immerse myself in a creative environment. Fascinated by the human form, I've spent years unraveling its nature and anatomical intricacies.

Throughout my career, the human form has served as the vessel for expressing my truths, beliefs, and the diverse histories of my people. Initially valuing realism as the pinnacle of expression, my time in Nigeria from 1979 to 1987 revolutionized my perspective and approach to art.

Immersed in Nigeria's vibrant culture, I learned to blend creative interpretation with relevant ideas, pushing the boundaries of my artistic approach. Experimenting with multiple lines, torn paper, and mixed media, I embraced a new level of creativity, moving beyond strict realism.

Drawing From The Lifeline represents the culmination of my influences and years of dedication. Rooted in the concept of Purgatory Ain't Nothin' But The Blues, my work delves into generational emotional burdens, akin to the soulful essence of the blues. Themes like Black Face, Survival, and Ghetto Angel explore African and African American life and culture, reflecting the enduring human condition.

Tyrone Geter